When to Stop Writing a Song

There is a version of every song that is better than the one you are currently working on. There is also a version that is worse. The problem is they…

The Suspended Chord

There’s a moment in certain songs where a chord lands and you feel yourself lean forward slightly, waiting for something to happen. The harmony hasn’t collapsed into dissonance, exactly, but…

Reference Tracks and Why They Matter

At some point in a mix session, your ears stop telling the truth. It happens gradually — you stop hearing the low end clearly, the vocal starts sounding normal when…

Every Songwriter Needs a Closing Time

Parkinson’s Law states that work expands to fill the time available for its completion. Cyril Northcote Parkinson was writing about bureaucracy in 1955, but he might as well have been…

Five Types of Rhyme

Rhyme is one of the oldest tools in human language, and also one of the most misunderstood. Most people think of it as a simple binary — words either rhyme…

Ten Mistakes in Every First Mix

1. Too Much Low End The reason this happens is almost always the room. Small, untreated spaces build up bass frequencies in unpredictable ways, so what sounds full and warm…

The Art of the Key Change

Key changes are one of the most abused devices in popular music and one of the most powerful in the hands of someone who understands what they’re actually doing. The…

Nine Solfeggio Frequencies Explained

Solfeggio frequencies sit in a strange position in music culture — dismissed by physicists, embraced by meditators, and used by producers who aren’t sure what they believe but like the…

The Kick and the Bass

There’s a moment in almost every mix where everything sounds muddy and wrong, and the reason is almost always the same thing: the kick drum and the bass guitar are…

Writing With Someone Better Than You

The moment you sit down with someone whose instincts are faster than yours, whose ear catches things before you’ve even registered there’s something to catch, you have a choice. You…